I thought I would spend some time and put together my highlights from 2014 in photos. I’ve never done this before, but I haven’t done many blog posts this year and therefore thought I should get another one in before the year ends. At times this year was extremely busy and at other times I was able to do more of the behind the scenes work that always seems to pile up. I had some firsts this year, including my first solo exhibit, and I took on more commissioned work than in previous years. It’s been an extremely steady year and like always it seems to go by in a blink. I’m not one to really look back at things as I like to keep focused on the now and what’s next, but nonetheless here are some highlights from 2014.
In early June I spent a week getting to know and learn more about the Mansaka people who live in and around Compostela Valley, Mindanao. The Mansaka are just one of a number of indigenous groups living in Compostela Valley and Davao del Norte, but they are the most numerous in the area. I had the kind privileged to spend time with a number of Mansaka families, witnessing life as it is today, both in their more traditional rural communities and in the modern city of Tagum. I learned about their many traditions, beliefs and the changes that are happening within the tribe, but more importantly, I witnessed an incredible sense of pride, even among the younger generation, and what it means to be called Mansaka.
It’s almost been one month now since The Forgotten Ten exhibit came to a close at Yuchengco’s Water Dragon Gallery in Manila. Now that I have been able to catch up with everything since the closing, I wanted to take some time to thank everyone for making this such a successful event. There are a number of people to thank, from our sponsors, to those who helped with preparations and of course everyone who made it out to the gallery to show their support. I also thought it would be nice to put together a summary of the exhibition, share some insights, get more feedback and put some thoughts together about the future of the Katutubong Filipino Project.
A blog post is well past due and it always amazes me how fast time goes by. Since my trip to the Cordilleras last April/May I feel like things have been non-stop making time soar by even faster. The past few months have mostly been filled with planning and getting things in line for the upcoming year with some intermittent travel, assignment work and workshops. The most exciting event I have been planning for is my first solo exhibit this coming January in Manila. The exhibit is entitled “The Forgotten Ten” which refers to the some 10 to 20 percent of the Philippine population considered to be indigenous.
Three weeks in the Cordilleras of Luzon and I feel like I have only scratched the surface of experiencing the rich cultures that make up the Igorot people. This is a common trend I have experienced while working on the Katutubong Filipino Project and one reason I hope to extended the project longer term, perhaps for another three years. More time is needed. This is especially true when trying to tell the story of the Igorot people who live in six different provinces with over 20 tribes all speaking different languages, practicing different rituals, and have different beliefs and cultures.
The past couple of months have been action packed with lots of traveling, learning and thinking of the year ahead. Inevitably, when one starts to think about the challenges and hopes for the future we find ourselves reflecting on the past. It was this time last year that my wife and I finished a successful Kickstarter campaign for the Katutubong Filipino Project (Indigenous Filipino people project). It feels like a lot longer than a year ago that we ventured into this project, but we are thankful for it and for all of the people we have meet because of it. We are still working on the project with two major areas still to visit with our Kickstarter funds.
Last month I made a long awaited trip to the island of Mindoro to visit some of the different Mangyan groups there. This trip took a few months to arrange and I was very excited our journey happened as I have been wanting to visit Mindoro for a long time. Although, we knew it would not be easy to get access to the different communities we wanted to visit, our contacts and non-stop effort explaining and promoting the Katutubong Filipino Project helped us significantly on this trip. There are 8 different Mangyan groups (Iraya, Alangan, Tadyawan, Tau-buid, Bangon, Buhid, Hanunoo and Ratagnon) on the island of Mindoro and all are distinctively different including their languages. Mangyan is just the collective term used for the indigenous peoples found on Mindoro.
Over the past month I have made two separate trips to Mindanao in the hopes to document the ethnic sport of horse fighting that is still occasionally practiced by the areas Lumads (indigenous peoples). My first trip was during Davao’s Kadayawan Festival, which is an annual week long celebration featuring the different tribes from Davao. This festival is like most other festivals in the Philippines, complete with street dancing, beauty pageants and plenty of people walking around the streets. In years past horse fighting was one of the side events at the Kadayawan Festival and was the sole reason I made the trip to Davao. Sadly, the tribal Chieftain, Datu Causing Ogao, who was in charge of this years horse fighting was murdered only three weeks before the festival. This murder was one of three tribal murders in the same time frame throughout this part of Mindanao.
Last week I had the opportunity to take some images for the Gift of Grace Foundation, a non-profit organization which provides resources to elementary school children living within the Umapad dumpsite of Mandaue City, Cebu. There are four large dump sites around metro Cebu with more than 5000 people living and scavenging for materials just trying to survive in whatever way they can. Many of the children living within these dumpsites are born into a life of extreme poverty and are often given very little opportunity to escape the cycle. Meagan Kelly, founder of the Gift of Grace, started the foundation in hopes to educate children starting at a young age so that they can follow their dreams and eventually provide for their families away from the dumpsites.